Filmed in Uganda, Man of Africa was assembled by legendary documentary producer John Grierson. The film depicts the mass migration of the Bakija and Batwa tribes to a new territory after the natural resources of their native soil has been depleted. The pro-ecological message is always present, but never so much as to degenerate into fatuous speechmaking. As a means to introduce the semblance of a plot, writer/director Cyril Frankel concentrates on the trials and tribulations of clerk-cum-farmer Jonathan (Frederick Bijurenda) and his native sweetheart Violet (Violet Mukabuerza). Print quality in Man of Africa varies from adequate to murky.

Morgan Leafy is a secretary to the British High Commissioner to an Africa nation. Leafy is a man that makes himself useful to his boss, the snobbish Arthur Fanshawe, who has no clue about what's going on around him, but who wants to use his secretary to carry on his dirty work, which involves getting one of the most powerful men in the country to do business with his country.The young secretary has an eye for beautiful women around him, especially Hazel, a native beauty, with whom he is having an affair. Things get complicated because Sam Adekunle, a man running for president of the country, wants a favor from Leafy in return after he has accepted the invitation to visit London. The proposition involves swaying a prominent doctor's opposition to a plan that will make Adenkule filthy rich.

Safari tour guide David Webb (Robert Powell) takes a job as head of security on the luxury train Pride of Africa and discovers that the wealthy passengers can be just as dangerous as the wild animals he knows so well. As the train sets off across the lush countryside, Webb contends with a dangerous kidnapping plot, a heated lovers' quarrel and a possible murder in this made-for-TV mystery set in the 1930s.

Rhodes of Africa is a 1936 British biographical film charting the life of Cecil Rhodes. It was directed by Berthold Viertel and starred Walter Huston, Oskar Homolka, Basil Sydney and Bernard Lee.

Re-edited feature film version of the 1936 serial Darkest Africa.

An impressively done new documentary taking a look back at the making of this picture. Interviews with everyone from director Pollack to composer John Barry take us through the memories of the making of the picture. In between interview segments are looks and thoughts on and at the history of the story and Africa itself. Especially entertaining is when Streep and Pollack talk about working with the animals.

In Africa, a deceased medical missionary's daughter in Africa carries on her father's work. Before long, she finds herself in danger from crooks and a local witch doctor.

Filled from front to back with stock footage taken from the Columbia serials "The Phantom-1943" and, primarily, "The Desert Hawk-1944", with John Hart and the always-dull Rick Vallin making less-than-adequate substitutes for Tom Tyler and Gilbert Roland, this Sam Katzman "production" finds the mighty jungle avenger and legendary Captain Africa - A "Phantom" rip-off that side-stepped the need to pay King Features another fee for using the character - pledging to see that the legitimate Arabian caliph, Hamid, is restored to the throne which a tyrannical rival has usurped. He is joined in this enterprise by adventurer Ted Arnold, wild-animal trapper Nat Coleman, and his assistant Omar and, to cover all bases

Captures an intimate's struggle for the right to love. Following a Ugandan transgender girl, forced to leave her country.

James A. FitzPatrick takes a look at the continent of Africa.